Supernatural animals, mystical beasts, and uncanny creatures: Folklore in place
9th to 13th November 2026
Guangzhou, Guangdong, China

Conference call for papers
Supernatural animals, mystical beasts, and uncanny creatures: Folklore in place
9-13 November 2026, Guangzhou, China
https://folkknowledgeplace.org/post/3461-supernatural-animals-mystical-beasts-and-uncanny-creatures-folklore-in-place

Theme
Animals and animal-like beings are prominent in folklore around the globe, and they play an important role in how people view and know the world. Individuals may be frightened, awed, amused, killed, assisted, forewarned, or rescued through their encounters with mysterious creatures. These creatures may be ordinary animals imbued with powers beyond human comprehension, ghosts of animals, shapeshifting humans or spirits, powerful deities, or categories of supernatural beings in their own right. Stories of supernatural animals occur not just in first-person experience narratives but also in legends that help root a sense of local community and in mythical tales that contribute to constructing the nation.

Ghostly pigs, spectral dogs, cunning or amorous fox spirits, murderous water-horses, helpful dolphins, noble dragons, seal lovers, world-bearing turtles, spirit animal companions, spookily prescient birds, wandering-soul mice, ferocious tigers, witch familiars, immense lake fish, animal ancestors, snail brides, spider gods, hunter-evading game animals - these are just a small selection of the uncanny creatures that have entered into and shaped human cultures.

Yet cultures, lifeworlds, and places are mutually constitutive, and knowledge is always situated. Animal myths, legends, and narratives arise out of and develop within specific spatial and environmental contexts. This conference asks: What can place tell us about supernatural animal legends? What can mythical creatures tell us about the way people conceive of and create place? How can geographically situated animal folklore inform our understandings of cultural values - and perhaps of humanity itself?

We invite presentations that reflect on the role of place in constructing culture or the role of culture in constructing place in the context of supernatural animals in folklore, myth, legend, and tradition. The conference is open to all theoretical approaches. Tommy Kuusela (PhD, Researcher and archivist at The Folklore Archive in Uppsala; Institute for Language and Folklore) will serve as keynote speaker.

Abstract submission
If you wish to give a presentation at the conference, please submit your proposal to co-convenor Adam Grydehøj ( آدرس ایمیل جهت جلوگیری از رباتهای هرزنامه محافظت شده اند، جهت مشاهده آنها شما نیاز به فعال ساختن جاوا اسكریپت دارید ). Please use 'Abstract for Supernatural Animals conference' as the title for your e-mail. The proposal should include: 1) presentation title, 2) abstract (150-200 words), and 3) numbered list of authors/speakers (including e-mail addresses and affiliations for each author). All this information should be contained in the text of the submission e-mail rather than being included in an attachment. After submission, your proposal will be reviewed, and the organisers will respond with a decision as soon as possible. The earlier you submit your proposal, the earlier you will receive the decision. All presentations will be in English. The deadline for abstracts is 28 February 2026.

Conference location
The conference will be held in Guangzhou in China's Pearl River Delta. Guangzhou is an ancient city shaped by its river and estuary environment. Guangzhou, known as 'The City of Goats', has an animal-related foundation myth, in which five colourful, heavenly goats brought six kinds of grain to the people of the city. Over the millennia, Guangzhou's landscape of wetlands and mountain islands has given way to a gleaming megacity, though its traditional Lingnan culture remains vibrant, and traditional music, foodways, festivals, and arts continue to be practiced. Field trips will explore Guangzhou's rich history and culture (old and new) through visits to heritage sites such as Yong Qing Fang and its Cantonese Opera Museum, the colonial enclave of Shamian Island, the Chen Clan Ancestral Hall folk art museum, and the Pearl River itself (along which we will take a nighttime cruise). Delegates will also have the opportunity to take part in what we believe will be the first-ever Guangzhou Ghost Tour. A post-conference study trip will visit the nearby city of Zhaoqing, site of the magnificent and legend-filled lake island mountains, the Seven-Star Crags, as well as home to Long Mu, the Mother of Dragons. 9-11 November will be spent in Guangzhou, and 12-13 November will be spent in Zhaoqing.

Publication opportunity
This conference is organised in association with Island Dynamics and the peer reviewed, non-fee charging open access journal 'Folk, Knowledge, Place' (https://folkknowledgeplace.org). Presenters are strongly encouraged to submit papers for consideration for a special section of Folk, Knowledge, Place on the theme of 'Supernatural animals, mystical beasts, and uncanny creatures'. Papers will need to match the journal's theme and scope. The deadline for special section submissions is 30 April 2026. The aim is to allow papers that successfully pass peer review to be published in advance of the conference itself. Although we strongly encourage article submissions, it is not necessary to submit a paper to the journal or to have a paper accepted for publication in order to participate in the conference. To learn more about journal publication, please contact co-editor-in-chief Adam Grydehøj ( آدرس ایمیل جهت جلوگیری از رباتهای هرزنامه محافظت شده اند، جهت مشاهده آنها شما نیاز به فعال ساختن جاوا اسكریپت دارید ).

Conference registration
Presenters can register for the conference free of charge. Registration includes attendance at the conference presentations, participation in field trips inside Guangzhou, and a number of group meals. In order to finalise your place in the conference programme, it will be necessary for you to share in advance with the organisers the details of your plane tickets and your passport information. Those wishing to participate in the study trip to Zhaoqing will need to pay a fee to cover transportation and accommodation costs.

Travel, accommodation, and visas
Conference registration does not include accommodation or travel costs to and from Guangzhou. The organisers can assist with booking accommodation upon request. More information on recommended accommodation is coming soon. The most convenient way of reaching Guangzhou is to fly into Guangzhou Baiyun International Airport, located to the north of the city. It is possible to fly into Guangzhou Baiyun International Airport both directly from overseas and via stops in other Chinese cities. It is also possible to fly to Hong Kong International Airport or to Shenzhen Bao'an International Airport and then to take a bus or train to Guangzhou.

Citizens of many European and Asian countries now have the possibility of visa-free travel to China for up to 30 days. Citizens of other countries may need to apply for a visa. The conference organisers will provide the necessary documents for your visa application, but the application itself is your own responsibility.

Co-convenors
Adam Grydehøj (School of Foreign Languages, South China University of Technology)
Ping Su (School of Foreign Languages, South China University of Technology)

Organisers
School of Foreign Languages, South China University of Technology
'Folk, Knowledge, Place'
Island Dynamics

Art, Tradition, Environment: Folklore in place
13th to 18th September 2026
Xining & Rebgong, Qinghai, China

Conference call for papers: 'Art, tradition, environment: Folklore in place'
13-18 September 2026, Rebgong/Tongren, Qinghai, China
https://folkknowledgeplace.org/post/3562-art-tradition-environment-folklore-in-place

Theme:
Museums are often seen as the place for art. From so-called ‘high art’ to ‘folk art’, it remains common to exhibit and interpret artworks in isolation from the environmental and often cultural contexts in which they were created. Even the concept of Intangible Cultural Heritage, by building upon a sense of world heritage, suggests the possibility of appreciating art out of place.

This small academic conference explores the mutual importance of (1) place and (2) the creation of art and the maintenance of artistic traditions. We emphasise aesthetic practices as a product of interactions between culture and environment, which give rise to localised traditions. How does the natural environment influence culture and, as a result, art? How do artistic traditions contribute to the construction of cultural landscapes by inspiring alterations to and reenvisionings of the natural environment? How do geographical factors (e.g., climate, availability of natural materials, location relative to other cultural communities) impact the ways in which people create art? How is art practiced, displayed, and engaged with in place-sensitive ways both inside and outside museums.

The conference takes a broad definition of ‘art’ and considers all kinds of art genres from around the world, though it is expected that most presentations will concern visual arts. Of special interest are presentations concerning folk culture, vernacular traditions, and art that forms a part of a community’s daily life or spiritual practices. The conference mixes scholarly presentations, discussions, and field trips. All presentations must reflect upon the connection between art and place as well as the situatedness of art within cultural traditions. The conference will occur in close engagement and collaboration with Qinghai’s Tibetan scholars, artists, tradition bearers, and communities.

Maria Fabricius Hansen (University of Copenhagen) and Sally Pirie (University of Massachusetts, Amherst) will serve as plenary speakers.

Conference locations:
Conference presentations will be held at the Qinghai Tibetan Culture Museum in Xining, the multiethnic capital of Qinghai Province in Northwest China. The Qinghai Tibetan Culture Museum preserves, communicates, and promotes the cultural heritage of the Tibetan people, one of China’s 56 recognised ethnicities. Delegates will also have the opportunity to explore the markets and alleys of the old city, which is strongly influenced by Hui Muslim culture, as well as to visit the mountainside Tulou Daoist temple. Following the presentation days, we will have a study fieldtrip to the small town of Rebgong (Tongren in Mandarin), situated in a mountain valley on the banks of the Yellow River. Rebgong grew up around a number of Tibetan Buddhist monasteries, including Rongwo Monastery (founded 1341) and Wutun Monastery (founded 1385). Rebgong’s various monastic and village communities ultimately developed distinct artistic traditions within such fields as thangka painting, architecture, sculpture (in wood, clay, yak butter), and embroidery. In 2009, these so-called Regong Arts were added to UNESCO’s Representative List of Intangible Cultural Heritage. During the fieldtrip, delegates will visit various of Rebgong’s nature, cultural, and religious sites, including its famous monasteries, villages, and art schools.

Because the conference takes place in remote areas of China, delegates should be prepared to stay at local (non-luxury) hotels and to eat local Tibetan and Hui Muslim food throughout the conference.

Schedule:
13 September 2026: Delegates arrive in Xining.
14-15 September 2026: Conference presentations, visits to Qinghai Tibetan Culture Museum exhibits, and explorations around Xining.
16-17 September 2026: Group travels to and explores Rebgong.
18 September 2026: Group returns to Xining in the early afternoon, and the conference concludes.

Abstract submission:
If you wish to give a presentation at the conference, please submit your proposal to co-convenor Adam Grydehøj آدرس ایمیل جهت جلوگیری از رباتهای هرزنامه محافظت شده اند، جهت مشاهده آنها شما نیاز به فعال ساختن جاوا اسكریپت دارید . Please use ‘Abstract for Art, Tradition, Environment’ as the title for your e-mail. The proposal should include: 1) presentation title, 2) abstract (150-200 words), and 3) numbered list of authors/speakers (including e-mail addresses and affiliations for each author). All this information should be contained in the text of the submission e-mail rather than being included in an attachment. After submission, your proposal will be reviewed, and the organisers will respond with a decision as soon as possible. The earlier you submit your proposal, the earlier you will receive the decision. All presentations will be in English. The final deadline for abstracts is 28 February 2026.

Publication opportunity:
This conference is hosted by the Qinghai Tibetan Culture Museum, sponsored by South China University of Technology’s School of Foreign Languages, and organised in association with Island Dynamics (Beewolf Press). Presenters are strongly encouraged to submit papers for consideration for a special section of the peer reviewed, non-fee charging open access journal ‘Folk, Knowledge, Place’ on the theme of ‘Art, tradition, environment’. Papers will need to match the journal’s theme and scope. The deadline for special section article submissions is 31 May 2026. The aim is to allow papers that successfully pass peer review to be published in advance of the conference itself. Although we strongly encourage article submissions, it is not necessary to submit a paper to the journal or to have a paper accepted for publication in order to participate in the conference. To learn more about journal publication, please contact co-editor-in-chief Adam Grydehøj ( آدرس ایمیل جهت جلوگیری از رباتهای هرزنامه محافظت شده اند، جهت مشاهده آنها شما نیاز به فعال ساختن جاوا اسكریپت دارید ).

Registration, travel, accommodation, visas, and practical issues:
Conference registration will include all travel, accommodation, meals, and admission tickets during the conference (from arrival in Xining on 13 September until retun to Xining on 18 September). We will also assist delegates who require additional hotel nights in Xining before or after the conference. The conference’s early registration fee of 1050 Singapore dollars or equivalent (payable to an account designated by Beewolf Press) is due by 15 April 2026, and final registration of 1250 Singapore dollars or equivalent is due by 15 June 2026.

Registration does not include travel costs and arrangements to and from Xining. Xining can be reached by plane from many major Chinese cities.
Citizens of many European and Asian countries now have the possibility of visa-free travel to China for up to 30 days. Citizens of other countries may need to apply for a visa. The conference organisers will provide the necessary documents for your visa application, but the visa application itself will be your responsibility.

Because Tibetan communities, monasteries, and cultural institutions are co-organising and contributing to the conference, delegates must commit to respecting their rights and interests by refraining from discussing sensitive topics. Political activism by visiting scholars would harm (and not benefit) the hosts who welcome us to Qinghai.

Co-convenors
Adam Grydehøj (South China University of Technology)
Ping Su (South China University of Technology)

Host
Qinghai Tibetan Culture Museum